A.r. Rahman The Canyon Sheet Music
14.08.2019
Rahman Sheet Music And Music Books At Sheet Music Plus If you're looking for sheet music for songs that aren't easily google-able, it's pretty likely that the original sheet music isn't available to the public, and some students at Berklee transcribed/arranged the music themselves. Rahman Sheet music books Sorting and filters: Best sellers Price low to high New releases Most commented (USA) A-Z Level easy to difficult Level difficult to easy In Stock Medias (all) With CD or audio With audio access With CD With DVD Sheet music only Samples (all) Cover Listen MP3 Sheet extract Listen+Extract Languages (all) English French German Italian Japanese Spanish.
He never fails to disarm with his matter of fact manner. AR Rahman has a Golden Globe nomination, is possibly well on his way to another Oscar and knows it too. (Watch: Rahman performs Jai Ho at Nobel Peace Prize concert)But when he talks about scoring the music for Danny Boyle's 127 Hours, there are no flighty explanations of how creative highs were reached in moments of otherworldliness. Rahman talks about working close to the director's vision and being guided in the right direction.
I write this with R.I.P from the film playing along and at this point I do not think I have heard anything in recent times quite as magnificent. Danny Boyle sure seems to do a great job of guiding Rahman in the right direction though unlike the shy, self-effacing magician, I'd like to credit much of it to sheer genius.
Catch Rehman on the 127 Hours experience:
127 Hours is a biopic about mountaineer Aaron Ralston, who was trapped in a Utah canyon for five days, his right arm caught under a boulder. He finally freed himself by cutting off his arm.
James Franco, who we remember from Spiderman, plays the cockily confident Aaron and is winning accolades for the manner in which he has essayed the changes in the man's psyche in the five days that he is trapped and then on to liberation.
The hot debate from reviews: Will you be able watch the arm being severed?
The 127 Hours soundtrack includes 'If I Rise' on which Rahman has collaborated with pop star Dido. The two musical superstars have done something extraordinary here. Catch it -
Each number on that soundtrack is worth spending some time on. Rahman in that interview helps me, with my limited repertoire, in describing the music. 'Futuristic underlayed textures' he says, and that sounds apt.
R.I.P has fast become a personal favourite, so do lend me your ears:
I am unabashedly rooting for Rahman this awards season. Not just because it gets international honours home, but because he sounds like a winner here. Incidentally, the story goes that the real-life Aaron Ralston wrote to Rahman saying: 'For A.R, Thank you for bringing your amazing music to my story - if only I had your soundtrack in the canyon, I could've lasted another 127 hours. Best Wishes, A.R. (Aron Ralston).' Can there be a better tribute?
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A.r. Rahman The Canyon Sheet Music Free
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~Release by A. R. Set 7zip as default. Rahman(see all versions of this release, 3 available)
A.r. Rahman The Canyon Sheet Music Download
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Annotation last modified on 2012-03-01 01:03 .
Tracklist
| ▼ CD 1 | ||||
|---|---|---|---|---|
| # | Title | Artist | Rating | Length |
| 1 | Never Hear Surf Music Again
| Free Blood | 5:52 | |
| 2 | The Canyon
| A. R. Rahman | 3:01 | |
| 3 | Liberation Begins
| A. R. Rahman | 2:14 | |
| 4 | Touch of the Sun
| A. R. Rahman | 4:39 | |
| 5 | Lovely Day
| Bill Withers | 5 | 4:16 |
| 6 | Chopin: Nocturne No.2 In E Flat, Op.9 No.2
| Vladimir Ashkenazy | 4:01 | |
| 7 | Ça plane pour moi
| Plastic Bertrand | 4 | 3:00 |
| 8 | Liberation in a Dream
| A. R. Rahman | 4:06 | |
| 9 | If You Love Me (Really Love Me)
| Esther Phillips | 3:27 | |
| 10 | Acid Darbari
| A. R. Rahman | 4:21 | |
| 11 | R.I.P.
| A. R. Rahman | 5:11 | |
| 12 | Liberation
| A. R. Rahman | 3:11 | |
| 13 | Festival
| Sigur Rós | 9:26 | |
| 14 | If I Rise
| Dido & A. R. Rahman | 4:38 | |
Credits
CD 1
| drums (drum set) and shakers: | |
|---|---|
| bass guitar: | Jerry Knight (1977) (track 5) |
| guitar: | Bill Withers (1977) (track 5) |
| percussion: | |
| keyboard: | Clarence McDonald (1977) (track 5) |
| piano: | Vladimir Ashkenazy(Russian-Icelandic conductor and pianist) (1981-11) (track 6) |
| additional programming: | |
| arranger: | Clarence McDonald (track 5) |
| composer: | Marguerite Monnot (track 9) Fryderyk Chopin(composer) (1830 – 1832) (track 6) |
| conductor: | Charles Veal Jr.(violinist, conductor and arranger) (1977) (track 5) |
| lyricist: | Dido Armstrong(English singer‐songwriter) (track 14) Édith Piaf (track 9) |
| mixer: | Andy Richards(Strawbs keyboard player/record producer) (tracks 2–4, 8, 10–12) |
| orchestrator: | |
| producer: | Lou Deprijck (track 7) James Walker(ballet/opera conductor, classical recordings producer for Decca) (track 6) Clarence McDonald (track 5) |
| sound engineer: | |
| translator: | Geoffrey Parsons(lyricist) (track 9) |
| vocals: | |
| writer: | Orri Páll Dýrason (track 13) Georg Hólm (track 13) Skip Scarborough (track 5) Bill Withers (track 5) |
| publisher: | Warner‐Tamerlane Publishing Corp.(publisher; do NOT use as release label) (track 5) |
| recorded at: | Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London, England, United Kingdom (1981-11) (track 6) |
| DJ-mixes: | Lovely Day (www.McMario.com remix) by Bill Withers (track 5) |
| has remixes: | Lovely Day (7″ Sunshine mix) by Bill Withers (track 5) Lovely Days (’88 remix) by Bill Withers (track 5) |
| sampled by: | It's Gonna Be.. (A Lovely Day) (Bedrock vocal mix) by Brancaccio & Aisher (track 5) |
| arrangements: | Nocturne no. 2 in E-flat major, op. 9 no. 2(for cello and orchestra, arr. Cullen) (track 6) Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante(catch-all for arrangements) (track 6) Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante(for violin and piano, arr. Sarasate) (track 6) Nocturne, op. 9 no. 2(for guitar, Tárrega) (track 6) |
| is the basis for: | Chopin's Nocturne in E Flat(Greeley adaptation) (track 6) My Twilight Dream (track 6) |
| later translated versions: | |
| later versions: | Chopin w Brazylii (track 6) Dissolving Colours (b) (track 6) Dissolving Colours :30 (b) (track 6) It's Gonna Be a Lovely Day (track 5) |
| part of: | 127 Hours (tracks 2–4, 8, 10–12) |
| recording of: | Acid Darbari (track 10) If I Rise (track 14) Liberation (track 12) Liberation in a Dream (track 8) R.I.P. (track 11) Touch of the Sun (track 4) Ça plane pour moi (1977) (track 7) Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (1981-11) (track 6) |
| referred to in medleys: | |
| translated version of: | Hymne à l’amour (track 9) |
| version of: |
Release
| mastering: | Reuben Cohen |
|---|
| mastered at: | Lurssen Mastering in Hollywood, Los Angeles, California, United States |
|---|
| ASIN: | US: B00473MLG2[info] |
|---|
Release Group
| Discogs: | https://www.discogs.com/master/446195[info] |
|---|---|
| IMDb: | https://www.imdb.com/title/tt1542344/[info] |
| Wikidata: | Q4548540[info] |
| Wikipedia: | en: 127 Hours (soundtrack)[info] |
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